![]() Most DAWs were first introduced in the stone-age days of computers. This unique development path is what gives Mixbus a different sound than traditional workstations. Harrison has made several generations of analog and digital consoles since that time, and has been continuously improving our DSP. We’ve been refining these technologies for over 35 years since the launch of those first digital consoles. Of course, to make this practical we had to make the digital engine “sound” exactly like the analog engine it was replacing.ĭuring this process of replacing an analog console processor with a digital version, we made many discoveries about how to make digital sound less like digital, and more like analog. ![]() Harrison made a bold proposal: we would replace the existing analog processing racks with a digital system, and leave the control surface in-place so the mix engineers could continue to work with the same workflow and sound that had served them well. A few years later, digital recording and playback became the new standard, and our customers requested a complete digital signal path in their facilities. Harrison is unique among audio companies: In 1985, we launched digitally-controlled analog consoles which were installed at many world-class music and film mixing facilities. Appendix C: Videos (Training and Tutorial).AVL Drumkits: Black Pearl and Red Zeppelin.Presonus Faderport, Faderport8 and Faderport16.Mackie MCU-compatible fader controllers.Recording with Varispeed (32C TapeX Only).Scrolling and Zooming in the Editor Window.Primary Windows: Editor, Mixer and Recorder.Operational Differences from Other DAWs.Differences between Mixbus and Mixbus 32C.About This Manual (online version and PDF download).
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